1776-1837 British John Constable Locations 1837). English painter and draughtsman. His range and aspirations were less extensive than those of his contemporary J. M. W. Turner, but these two artists have traditionally been linked as the giants of early 19th-century British landscape painting and isolated from the many other artists practising landscape at a time when it was unprecedentedly popular. Constable has often been defined as the great naturalist and deliberately presented himself thus in his correspondence, although his stylistic variety indicates an instability in his perception of what constituted nature. He has also been characterized as having painted only the places he knew intimately, which other artists tended to pass by. While the exclusivity of Constable approach is indisputable, his concern with local scenery was not unique, being shared by the contemporary Norwich artists. By beginning to sketch in oil from nature seriously in 1808, he also conformed with the practice of artists such as Thomas Christopher Hofland (1777-1843), William Alfred Delamotte, Turner and, particularly, the pupils of John Linnell. Turner shared his commitment to establishing landscape as the equal of history painting, despite widespread disbelief in this notion. Nevertheless, although Constable was less singular than he might have liked people to believe, his single-mindedness in portraying so limited a range of sites was unique, and the brilliance of his oil sketching unprecedented, while none of his contemporaries was producing pictures resembling The Haywain (1821; London, N.G.) or the Leaping Horse (1825; London, RA). This very singularity was characteristic of British artists at a time when members of most occupations were stressing their individuality in the context of a rapidly developing capitalist economy  Related Paintings of John Constable :. | Brighton Beach,with colliers | Landscape with goatherd and goats | horizon of trees 27September 1821 | The Mill Stream | A ploughing scene in Suffolk |
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Penleigh boyd
Australia artist 1890-1923 was an Australian artist. Penleigh Boyd was a member of the Boyd artistic dynasty: his parents Arthur Merric Boyd (1862-1940) and Emma Minnie Boyd (n??e ?? Beckett) were well-known artists of the day, and his brothers included Merric Boyd the ceramacist (1888-1959) and the novelist Martin Boyd (1893-1972). His son Robin Boyd (1919-1971) was a noted writer and architectural critic, and his nephews Arthur Boyd and David Boyd became prominent artists. Born in England at Penleigh House, Westbury, Wiltshire, Boyd received his artistic training from his parents and at the National Gallery Art School. He had his first exhibition at the Victorian Artists' Society at 18, and exhibited at the Royal Academy in London at 21. He won second prize in the Australian Federal Government's competition for a painting of the site of the new national capital, Canberra. He won the Wynne Prize in 1914 with Landscape. He served in the AIF (Australian Infantry Forces) in France in World War I, and was invalided out after being badly gassed at the battle of Ypres in 1917. His career was cut short when he was killed in a car accident near Warragul, Victoria in 1923. Penleigh Boyd is best known as a landscapist with an accomplished handling of evanescent effects of light. A notable influence was artist E. Phillips Fox, who introduced him to plein air techniques when they were neighbours in Paris in 1912-1913.
Wilmot Pilsbury,RWS
1840-1908
Giotto
Italian 1267-1337 Giotto Galleries Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence." The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years." Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.